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To say that Joker is a disturbing film would be to give the word disturbing weight that it wasn't designed for. Yoga is frightening, haunting and so problematic that I had trouble speaking for hours after watching the film and lost some sleep.
That sounds dramatic, but it's how I respond to films and this character. One of pop culture's greatest villains has the power to do that Heath Ledger's Joker in The Dark Knight was the stuff of nightmares. 
To look at him was to look into the heart of darkness. What in Joker director Todd Phillips an act of walking Phoenix take it further. They place us inside his head. We see what causes mentally a loner to blossom into an unhinged killing machine. And we sympathise with him. were repulsed by him. But we're also rooting for him to tear down the indifferent smug establishment, the Joker unleashes anarchie and we smile with him as he watches the world but the film gets into your bloodstream because it's so skillfully crafted. 
At the centre of course, is Phoenix as the Joker. But for most of the film, we don't see him as the Crown Prince of crime. This is an origin story and the formidable Joker is a wretched clown for hire named Arthur fleck. Phillips and his co writer Scott silver reimagined the comic book world so Joker is a period film with a gritty frayed Scorsese style quality, the CGI is at a bare minimum. The film is set in the late 1970s, early 80s New York and carries the DNA of firms of that era. Like taxi driver, the King of Comedy dog the afternoon network DOB Lauren share an art director Laura Bollinger do a masterful job of rendering in urban hell. Gotham is quite literally a mess because the sanitation department is on strike. 
There's trash everywhere and the residents seem to be stewing in stench and sickness especially after Arthur's mother calls him happy which is a grand irony because as Arthur tells us, he hasn't been happy for one minute of his entire life. Most people treat Arthur like the garbage that they're sidestepping on the pavement, and his tenuous grip on reality slowly comes apart. As he says it's enough to make anyone crazy. 
You've never seen crazy done like Felix does it. Arthur suffers from a condition that makes him laugh uncontrollably, but this laughter is like a breath away from tears. There are scenes in which he barely scenes human. Phoenix is so thin that when he removes his shirt, you can see bone sticking out at impossible angles. Arthur is pathetic, but his eyes flash a gleam of the delight that comes from having nothing to lose. When he kills his Angular wirey body seems to reverberate with power. 
Phoenix is practically every frame of this club. He's hypnotic and he holds Joker together. The other actors which includes Robert De Niro playing a talk show host of worships are eclipsed by Phoenix is show stopping performance. In any case, the film is so intensely focused on Arthur and justifying his descent into madness, that it doesn't substantiate the other threads of the narrative, like a subplot of a romance with a neighbour. Yes, Batman makes an appearance, but he's a child. At one point Arthur writes in his diary, the worst part about having a mental illness is that people expect you to behave as though you don't. Ultimately though, the firm doesn't take this insight anyway. Joker gives us a view of a deranged world, but it never attempts to offer more than a simplistic causality. 
As social commentary. It's pretty thin and morally spacious. Joker is art for nihilism. And despite its dazzle, it's hard for me to get behind that. For more reviews like this, subscribe to film companion and don't forget to check out our new series off the page with luggage omona Bye

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